Showing posts with label glee musicals. Show all posts
Showing posts with label glee musicals. Show all posts

Wednesday, February 2, 2011

Glee - The Season 2

Glee - The Season 2
           
Glee is a famous American musical which has attracted millions of viewers to seasons one and two up to now. This article outlines the Glee TV show plus gives detail on the episode storylines in season two as well as the new characters who have been added to the show. There is also some information on season one which was responsible for starting the momentum which has led to the series becoming one of the most popular current programmes on American TV. As a result of this success the DVD sales of season one and two have also been extremely impressive.
The second season took the existing club onto regional and national competitions as the pressure builds on the different relationships between the main characters. This season features the main characters as before with Will Schuester, Sue Sylvester, Emma Pillsbury, Terri Schuester and Dianna Agron, Chris Colfer, Kevin McHale, Lea Michele, Cory Monteith, Amber Riley and Mark Salling being most prominent. New characters added include Sunshine Corazon, Carl Howell and Shannon Beiste. Some of the actors responsible for bringing the main characters to life have now become well known in their own rights and seem likely to go on to have major Hollywood careers once their time in the show comes to an end.
The show throughout the second season has attracted viewing figures of around 11-12 million having built up to this total by the end of the first season and remained their consistently since. It appears that good press and public word of mouth helped the show to rise from initial figures of around 7 million US viewers for the first few episodes up to where it finished by the end of that season, at episode 22.
This popularity is also matched with an extensive list of awards that the show has already received with many expected for future episodes and series. Awards have been laden on the show, it's writers and also the actors who have brought the show to life with youthful vigour which has helped Glee to offer a charming feel throughout.
There is no doubt that Glee has very quickly become one of the most talked about and enjoyed TV shows across all American TV networks, with success now spreading abroad since the show has been broadcast in many other countries. With such early success it is difficult to know how long Glee can keep up these early achievements but the future certainly looks exciting for this inspiring musical comedy.

Friday, December 17, 2010

AFI Top 10 TV List Made By Glee And Mad Man

The cast of Mad Men 
Mad Men, Glee and Modern Family are among the American Film Institute's Top 10 television programmes of 2010.
The Big C, Boardwalk Empire, Breaking Bad and The Walking Dead also make the grade, as do The Pacific, Temple Grandin and 30 Rock.
Unlike other bodies, the AFI does not rank shows in order of preference.
The AFI also named its Top 10 movies of the year, a list that includes The Social Network, Inception, Toy Story 3, True Grit and The Kids are All Right.
Because the organisation recognises films with US backing, The King's Speech - a British production - was rendered ineligible.
Yet the judges gave the Colin Firth period drama a special award, along with education documentary Waiting for Superman.
The other films in the AFI's Top 10 were Black Swan, The Town, The Fighter, 127 Hours and Winter's Bone.
The lists were chosen by two 13-member panels, with actress Jennifer Love Hewitt and producer Steven Bochco among the adjudicators.
It is the first time the institute's annual list of official selections has included special awards.
AFI president Bob Gazzale said they allowed the juries to acknowledge "outstanding work outside the traditional AFI criteria".



Choral singing has stormed the US pop charts on the back of a TV series called Glee. Now the show is being aired in Britain, and the music is in the top 10.
If you've just looked at this week's Top 10 singles don't worry, you haven't fallen asleep and woken up in 1981.
There's a simple explanation for Journey's power ballad Don't Stop Believin' sitting at number six and number seven in the chart - Glee. That's the name of a hit US TV series aired in Britain for the first time last week. Days later the "Glee effect" - as it has been dubbed by the American press - was rubbing off on the British pop charts.
The show is a fictional tale about a young teacher trying to turn a bunch of high school misfits into a show-stopping choir. In an integrated media strategy that surely points the way of things to come, after each episode was broadcast in the US last year a song from that show was released for download. And each song stormed the charts.
After the first episode was screened on E4 in the UK last week the show achieved a double whammy in the UK charts, with Don't Stop Believin' sung by the Glee Cast reaching number six and Journey's original version reaching number seven. Expect more of the same as the series builds momentum.
Vibrant
The show's blend of dark humour and high camp are a big part of its success, but the feel-good, serotonin-stirring songs belted out each week are also winning over even the most hardened critics.
"It blasts past any defences you might put up," said Entertainment Weekly. "Glee will not stop until it wins you over utterly."
But while glee clubs are a staple of American high school and college life, the concept is almost unknown in the UK.
Caroline Redman Lusher with a Rock Choir
Show choirs are catching on in the UK
The irony is that glee actually began in Britain, around the 1700s, according to historians. Glee clubs remained popular until Victorian times, when other styles of singing became more fashionable.
Back then "glee" referred to a specific form of unaccompanied English part song - singing with two or more voice parts, with one part carrying the melody - and were all male. This style was adopted by America's first - and now oldest - glee club, formed by students at Harvard University in 1858.
The term has evolved over the years and is now encompasses everything from Harvard's traditional 60-voice, all-male choral ensemble to the sort of high school show choirs featured in Glee.
But while they have mutated into many forms, glee clubs are still a "distinctly American tradition," says Professor Scott Tucker, director of the Cornell University Glee Club, which was founded in 1868.
'Triumph or disaster'
"Choral singing in general is incredibly vibrant in the US," he says. "The number of people singing in choirs here is surprisingly high."
One factor that could explain why this touchstone of American culture is all but unheard of in Britain is America's focus on competition. Glee isn't just about the joy of singing - many show choirs compete at national level.
CLASSIC GLEE CLUB SONGS
The Whiffenpoof Song
Far Above Cayuga's Waters
My Cutie's Due
Dancing in the Streets
Don't Stop Believin'
"They are uniquely American," says Peter Ling, professor of American Studies at Nottingham University. "That's because American schools and colleges have always had a hugely competitive element. They like things that tap into something climatic, that could end in triumph or disaster - hopefully triumph."
The history of show choirs, such as that in Glee, is very recent. They began popping up in America in the 1970s, according to cultural historians. When competitions started being screened on Public Broadcasting Service stations they got national exposure and grew from there.
"In high school you have the football team, you have cheerleaders and you have show choir," says Jake Smith, a former member of the show choir at Bloomington High School South in Bloomington, Indiana.
Glee's Kurt Hummel
The misfit image is exemplified by Kurt Hummel - a central character in Glee
But where sports players are cool and athletic, glee singers have a reputation for being a bit nerdy.
"An island of misfit kids," is how Mr Smith sums it up, although the success of the TV series is starting to change perceptions.
So could glee signal a shift in the transatlantic balance of TV's influence on pop tastes? Thanks to Simon Cowell, the US has taken the X Factor ideal to its heart. But could Glee work a similar influence on British music tastes?
Journalist John Walsh has joined a glee club in London, recently set up by a friend. It's informal and people just sing what takes their fancy. He loves it.
"It's singing by brute force rather than any real technique. You are just grabbing a tune and going for it. Forget book clubs, glee clubs are the future."
'Exportable'
It's not a lack of interest in music holding Brits back, it's not having the same tradition of choirs, says Caroline Redman Lusher. She started Rock Choir in Farnham, Surrey, in 2005. It's one of the closest things in the UK to contemporary glee clubs and show choirs, but without the competitive edge. There are now 60 such choirs in the South East and members range from children to pensioners.
Glee club
Glee clubs used to be all male
"There are loads of community choirs in the UK but they tend to be traditional," she says. "What we do allows anyone to sing, without having to read music or know the theory behind it. There's no auditions and it's not about the best singers, it's about what we create together."
It's not a question of if they spring up in the UK, but when, says Prof Ling.
"Glee clubs are extremely exportable and kids over here have taken to other such exports, like the school prom. It's only a matter of time before we them here and they will be the all-singing-and-dancing version."
Britain, begin exercising your vocal cords now.
Glee is broadcast on Mondays on E4 at 2100 GMT.

Below is a selection of your comments.
Oxford University has a number of A Capella groups. The most successful are Out Of The Blue European Champions of A Cappella 3 times, competed at the finals of an International A Cappella competition (ICCAs) 3 times, come second in that competition twice. Their shows sell out at Edinburgh. Their singing and dancing and comedy being as good as GLEE.
Rosie, Oxford
I was a junior schoolboy in the 50s in a working class area of the West Midlands. One of the joys that I can remember was the communal singing of old patriotic songs in our music classes (Men of Harlech, Rule Brittania etc) We would belt them out at the top of our young voices and we loved it. The daily Hymn was much the same, I wasn't religious but I loved the daily singsong. At grammar school I loved nothing more than singing the descant of our school hymn at the top of my voice along with my hardened class mates. How sad is modern music lessons in school, just playing around with keyboards and headphones with not a voice to be heard. (I am a teacher of 35 years standing) I find it all so sad, I'm glad to see this one American trend, one I will welcome.
Terryd, UK
Let's face it, it had to come. After all these barren years of synthetic, formulaic, talentless, toneless, pop-droning, it was inevitable that Music would make a return one day. It's just so sad that, once again, it appears the Americans have taken something universal, neatly packaged it, and sold it back to the World at a profit. You've got to admire them. As for sticking with tradition, Ms Lusher should have been around in the late 60s when the Kodaly choir and Cor Meibion Gwalia were at the Eisteddfodds and other venues... 400 years of choral tradition. Magnificent.
Zim, London
Glee clubs are certainly a huge thing stateside, though we usually call them show choirs. Students who lived outside the district of my high school would pay extra tuition just so they could audition to be a part of our 13-time state champion show and concert choir. I think our choir was unique though, in that we were both a show choir (think Broadway) and a concert choir (singing anything from Shaker hymns to Eric Whitacre pieces, with no dancing).
Dani, Bloomington, IN, USA
I'm a teacher and we had loads of kids wanting to start up a Glee Club so we offered one and over 70 kids turn up to be in it! they love it!
JNC, Edinburgh
As a teenager, I adored singing with my school choir but then as you search through the heavily classical or incredibly religious choirs that are around, you become disheartened. On Monday I had my first session as a fully paid up member of Rock Choir and I absolutely adored it. Humour mixed with good teaching and approachable well-loved songs makes for an excellence choral experience. There's nothing quite like making a big noise with a large group of people. All the better if it's in tune.
Sarah, London
Please, kill me before this cheesy, soulless drivel catches on over here. I don't think that anyone sane could be subjected to a mob of grinning idiots murdering classic songs without wanting to go on a killing spree. Then again, the X-Factor took off, so it probably will.
Duncan, Glasgow

Friday, November 19, 2010

Glee's Musical , Soaring Your Spirits Higher

Glee's Musical , Soaring Your Spirits Higher
Glee turned spiritual in an episode aptly named "Grilled Cheesus."

The episode kicked off on a comedic note with Finn (Cory Monteith) accidentally burning his grilled cheese sandwich and seeing Jesus's likeness in the burnt bread. Finn, being Finn, starts praying to the sandwich for things like a win on the football field and a chance to touch his girlfriend Rachel's boobs.

The crux of the show, however, focused on the glee club kids grappling with spirituality after Kurt's father, Burt Hummel (Mike O'Malley), has a heart attack and loses consciousness. Kurt (Chris Colfer) declares, "I don't believe in God," and copes with his grief with a heartbreaking version of the Beatles tune "I Want to Hold Your Hand."

The rest of the cast gets in touch with their spiritual sides in their own unique ways: Puck (Mark Salling) channels Billy Joel with the hit "Only the Good Die Young," while Rachel (Lea Michele) takes a cue from Barbra Streisand in Yentl to sing "Papa, Can You Hear Me?"

Mercedes (Amber Riley) sings lead on two songs, a heartfelt version of Whitney Houston's "I Look to You," and a rousing rendition of "Bridge over Troubled Water" backed by a gospel choir.

After a whole episode of getting his prayers answered, Finn has a "come to Jesus" moment when the school quarterback is injured during a game, allowing him to reclaim his position on the field. He got what he prayed for, but not the way he expected. To express his disillusionment Finn sings – what else? – R.E.M.'s "Losing My Religion."

Tell us: What was the best spiritual-themed song on Glee?


  1. Which Glee Song Made Your Spirits Soar?